Collections

Piedra Pez

Piedra Pez is Gabrielle Venguer’s SS26 collection; a deep dive into the ocean as archive, mythology, and material. Marine tattoos printed on linen. Hammock pants knitted from hennequen fiber. Fishing nets transformed into dresses, decorated with shells and baits. Copper fabric fastened with eyelets and chains.

The collection moves between the port and the street, between sailor folklore and Mexico City nightlife. Indigo runs through everything; dyed, oxidised, printed, like water staining fabric over time.

Handcrafted in Mexico City. Limited pieces.

Hielo

First presented in Paris, then expanded to a monumental scale at Palacio de Bellas Artes in Mexico City; 30 meters of fabric, 38 performers, live musicians, choreographers, and a full creative team.

The performance turned a national icon into something intimate and personal. Each participant contributed their vision, making fashion break out of exclusive spaces to become accessible, alive, and in dialogue with the public, like muralism.

The final gesture: sharing fruit. An evocation of ice’s ephemerality. Fashion as an organic, shared, fleeting movement.

Runway dress

During Paris Fashion Week, I led a guerrilla-style performance outside the Schiaparelli show at Place Vendôme; uninvited, unannounced, and completely alive.

Amidst the flash of paparazzi and the allure of luxury, we merged fashion with spontaneity and community right on the streets.

Each participant, drawn by a shared vision, transformed our gathering into a powerful statement against the exclusivity of the fashion system. A celebration of rebellion. Fashion that belongs to everyone.

La Tina

Inspired by my grandmother’s tablecloths and the transformation of matter; like water shifting states.

A small theater in Condesa, Mexico City. A bathtub made entirely of soap on stage, where the models submerged. As the outer plastic layer dissolved, the dresses shifted shape, revealing the colors and textures underneath.

The textiles were made from leftover fabrics in my studio, used like paint; transitions of color and opacity, traditional Mexican tablecloths, local materials. Water sounds composed to accompany the performance.

Fluidity and change, from the inside out.

Sand Mirrors

Inspired by family photos taken in Acapulco in the 1950s; a time of glamour that now gently fades into memory.

Filming in the very places where my great-grandparents once roamed added an ethereal layer, as if I were traveling back in time, enveloped by their stories.

Mirrors placed in the sand captured the shimmering sea and vast sky; a dreamlike dialogue between past and present.

Acapulco Gold

My first collection. Inspired by the golden days of 1950s Acapulco, when my family spent summers surrounded by jet-setters, mermaid statues, and white villas by the bay.

Drawing from family archives, I reimagined the era’s effortless glamour through sheer fabrics and vibrant colors that reflect the joy, sun, and style of the time.

Shot in a vintage Acapulco home; a tribute to living beautifully and boldly.